Event Production Services - Sound (PA) Hire - Lighting - AV Hire - Video Production - Essex and London
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Sound Choice Hire Ltd trading as Choice Productions © 2020                                                            

Allen and Heath GLD / QU / D Live - Soundcraft Analogue Desks

 



Digital Sound Desks from Allen & Heath

D Live C3500

External link opens in new tab or windowAllen and Heath D Live C3500 Hire

Allen & Heath C3500 D Live Digital Mixer Hire


The C3500 is the largest C Class control Surface for the dLive MixRack. It features 24 faders over 6 layers, built-in audio I/O and networking port, dual 12″ capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.


Available for trade dry hire to registered business or manned hire with CMD 64 Way mix racks

External link opens in new tab or windowD Live C3500 Hire

Harmony User Interface


Where many digital consoles are still trying to recreate the experience of using an analogue mixer, dLive is a true digital native, drawing on our familiarity with the ubiquitous smartphones and tablets that we all use without thinking. C3500’s twin 12” capacitive touchscreens feel instantly familiar, responding to every pinch, swipe, drag and drop exactly how you’d expect them to. Bespoke ‘widget’ areas can also be set up on the screens to keep track of scenes, meters, FX and other custom controls. The screens are complemented by a set of rotary controls, allowing the creativity and immediacy of tactile control over key processing functions, working in harmony with the visual feedback displayed on the screen. The high-grip rotary knobs offer precision control, and feature RGB illumination, with colours mapped to functions for instant visual orientation.

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Transparent Workflow

C3500’s layout is fully customisable, allowing the user to create a mixing interface that reflects their own mental map of the show, or for an installer to set up the surface to match the venue and the experience levels of the operators. Throughout the dLive journey our guiding aim has been to create fast and transparent workflows that allow the operator to focus on the mix, not the mixer. Every input or mix can be assigned to any and every bank and / or layer, virtual scribble strips allow inputs and mixes to be clearly named and colour coded for at-a-glance navigation, and there are 19 assignable SoftKeys, plus 3 pages of 6 assignable rotaries.

External link opens in new tab or windowD live Hire Essex

RackExtra FX


The RackExtra FX portfolio combines the pristine quality and wide choice offered by boutique plug-ins with the convenience and low latency of onboard processing. It’s no secret that we have a passion bordering on obsession for crafting painstakingly faithful emulations of the most revered analogue outboard equipment. Drawing on the power of the XCVI Core, we have built hugely potent DSP kernels within the FPGA, allowing us to integrate our proven library of reverb, delay and modulator algorithms into dLive, with 16 FX slots available, each with a dedicated stereo return.


External link opens in new tab or windowAllen and Heath CDM 64 Hire

CDM 64 Mix Rack


The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP.

There are different sizes of dLive MixRack available. All feature the same mix engine and can work with the full 128 channels by adding DX expanders or digital sources.

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GLD 80

External link opens in new tab or windowAllen and Heath GLD 80 hire

Allen and Heath GLD - 80 Hire


GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. Plug n’ play I/O expanders make it easy to build systems with up to 48 mic inputs, supported by a full suite of apps, software and personal monitoring solutions.

At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by our acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise. Now available in a new GLD Chrome Edition, with sleek new styling, Automatic Mic Mixing, new embedded plugin FX and new compressor models on all channels.

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SQ 5

External link opens in new tab or windowAllen and Heath QU16 Hire

Allen and Heath SQ5 Hire


A New Standard in Compact Digital Mixing

48 channel, 96kHz digital mixers for live sound, AV and installation.

Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ is built for professionals in demanding live sound, recording and streaming applications. Delivering class-leading high-resolution audio with an ultra-low <0.7ms latency, SQ gives you unrivalled power and audio fidelity.



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Mixracks /  Stageboxes / Personal Monitors


CDM 64

Allen and Heath CDM 64

Allen and Heath CDM 64 Mix Rack Hire


The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP.

There are different sizes of dLive MixRack available. All feature the same mix engine and can work with the full 128 channels by adding DX expanders or digital sources.

AR24

External link opens in new tab or windowAllen and Heath AR2412 Hire

Allen and Heath AR2412 Hire


AR2412 is a 24 XLR input, 12 XLR output AudioRack. Adding an AR2412 to your Qu system lets you position some or all of your I/O up to 120m from the Qu mixer, connected over a single Cat5 cable running Allen & Heath’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a Monitor port for connection to ME-1 personal mixers, and an Expander port for daisy chaining to an AR84 AudioRack (Qu-24 only).

Guide

AR2412-Guide-AP8596_2.pdf

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AR84

Allen and Heath AR84 Hire

Allen and Heath AR84 Hire


AR84 is an Expander AudioRack for the GLD digital mixing system.

Each AR84 adds 8 XLR inputs and 4 XLR outputs to a GLD system. Up to two AR84s can be added to a GLD system, connected to an AR2412 AudioRack and / or direct to the GLD-80 mixer. Connection is over Cat5 cable running Allen & Heath’s dSNAKE protocol, allowing the AR2412 to be positioned up to 120m from the GLD-80 or GLD-112 mixer. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable.

Guide

AR84-Guide-AP8720_2.pdf

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AB168

External link opens in new tab or windowAllen and Heath AB168 Hire

Allen and Heath AB168 Hire


AB168 is a portable AudioRack, providing 16 XLR inputs and 8 XLR outputs when connected to a GLD-80 or GLD-112 mixer, or to an AR2412 AudioRack.

Featuring 16 mic preamps with Phantom Power indicators and 8 XLR line outs, AB168 runs on Allen & Heath’s proprietary dSNAKE protocol.

The AB168 unit connects over a single Cat5 cable to the GLD mixer or to an AR2412 AudioRack via a secure dSNAKE EtherCon port. A second EtherCon port is provided for daisy-chaining to another AB168 box or connection of a ME personal mixing system. AB168 auto updates its firmware to synchronise with the GLD system.

Guide

AB168-Guide-AP9588_1.pdf

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DX168

External link opens in new tab or window16 XLR Input / 8 XLR Output 96kHz Portable DX Expander hire


The DX168 is a rugged, 96kHz portable expander for adding remote I/O to a dLive, Avantis or SQ system, or to the AHM-64 audio matrix processor.

Each DX168 features 16 mic preamps with independent Phantom Power LED indicators, plus 8 XLR line outs.

The DX168 connects via a single Cat5e cable to the dLive Surface, MixRack, SQ mixer, Avantis mixer or upstream DX168 via a secure EtherCon port. A second locking EtherCon port is provided for redundant connection to compatible hardware, or for daisy-chaining to a downstream DX168 for additional remote I/O.

The Expander’s rugged design, with hard-wearing rubber bumpers, allows it to be placed directly on the stage floor during performances. Weighing in at just 4.8kg and featuring a sturdy carry handle, the DX168 offers the convenience and portability needed in rental, education, houses of worship and many other environments. An optional 4U rack mounting kit is available which allows installation in industry standard 19-inch racks.

With dLive

Up to 6 DX168 units can be connected directly to a dLive system – 4 via the MixRack and 2 via the Surface – allowing up to 96 remote inputs and 48 remote outputs in addition to those provided by the MixRack and Surface. More units can be connected via the dLive DX Link card or DX Hub.

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DX012

DX012 Digital Expander 12 XLR/AES Out - dLive and SQ Consoles Hire

12 XLR Output Analogue/AES Portable DX Expander


Perfect for feeding IEM systems and amplifier racks, DX012 offers both analogue and AES digital output options in a compact 1U form factor.


The DX012 connects via a single Cat5e cable to the dLive Surface, dLive MixRack, AHM-64 mattrix processor, Avantis mixer, SQ mixer or upstream DX expander via a secure EtherCon port.

A second locking EtherCon port is provided for redundant connection to compatible hardware, or for daisy-chaining to a downstream DX expander for additional remote I/O.

ME 1

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ME1 Personal Monitoring System Hire

Use with Allen & Heath SQ, QU, GLD and iLive products

The ME-1 Personal Mixer puts the musician in control of their own monitor mix. Each performer can be given a tailored setup that works perfectly for them, whether they crave maximum control over the fine details of their mix or just want the minimum of keys to press. Operation is intuitive and elegant, with simple controls, clear visual feedback and custom naming for instant familiarity.

ME-1 is the cornerstone of the ME Personal Mixing System and is ready to use with the Allen & Heath dLive, iLive, GLD, Qu and SQ series digital mixers. ME-1 is complemented by the ME-U hub, which opens up the benefits of ME to users of other professional digital mixers via Dante, EtherSound or MADI. ME-1 also has an Aviom® compatibility mode for use with Aviom® Pro16® systems.

Equally at home on stage, in rehearsal rooms, houses of worship or recording studios, with ME everyone benefits from slicker soundchecks, lower sound levels on stage and quicker setups, while the engineer will be saving precious buses on the mixer and cutting the time spent tweaking monitor mixes. Whether you are monitoring on headphones, wired or wireless in-ears, using drum thrones or local speakers, the ME Personal Mixing System offers access to an unprecedented number of channels, rugged Allen & Heath construction and unrivaled sound quality.

Front of House / Monitor Split Systems


64 Way Split Copper 

64 way 2 way FOH / Monitor split / 32 way 3 way FOH / Monitor split hire


Foh / Monitor split with 3m tails with Cisco SG300 included in rack for dante recording purposes , with Led working lighting / powercon distro and storage draws - racked and ready to go.

Perfect for Dlive copper splits to avoid headamp sharing , can be supplied with a range of stage boxes 16 way / 12 way / 10way / 8way either 15m or 10m.




Rack Picture

20200319_185015.pdf

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48 Way Split Dante

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GLD80 FOH / GLD112 Monitor Split Hire - Dante card x 2


We can supply a FOH / Monitor package using the GLD system fitted with Dante cards in each desk to provide a digital split system which can also include a recording set up using Reaper software.

The GLD system has a digital trim on each desk to save monitor head gain adjustments if being used as the master from affecting the FOH mix.

Using the Dante controller desk splits are a straight forward process , complete package comes with two Cisco SG300 network switches and a cat 5 link for primary and secondary connections


Dante is an Ethernet compliant, AVB-ready audio networking solution created and developed by Audinate. It provides high performance digital media networking that meets the quality requirements of professional live sound, AV installations and broadcast and recording systems. Dante is built on standard Internet Protocols over                                                                                                 Ethernet. It distributes multiple streams of digital audio plus integrated control data and clock, with sub                                                                                                                 millisecond latency, sample-accurate playback synchronization, extreme reliability and high channel count.

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monitor split

Understanding M Dante

Understanding+M-DANTE+-+rev+18dec12.pdf

64 Way Split GigaACE

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GigaACE 128 X 128 96khz card hire / complete split hire with 2 x Dlive C3500 and 1x CMD64


The gigaACE audio networking card (M-DL-GACE) is one of several audio networking options that can be fitted to any Allen & Heath dLive or Avantis I/O Port. It provides a 128x128ch 96kHz gigaACE point-to-point link to another dLive or Avantis mixing system. It also enables connection from a dLive system to the DX Hub or GX4816 expander.

gigaACE is Allen & Heath’s proprietary protocol for transporting Audio and Control over Ethernet, using standard                                                                                               CAT cables. It allows very low latency and cable redundancy without any audio dropout. gigaACE can also tunnel                                                                                               the dLive/Avantis TCP/IP control network over the same connection, for example to enable control of either of the                                                                                               two systems by a single laptop.

                                                                                             The gigaACE card offers a cost-effective and simple solution for digital split applications, replacing the copper                                                                                                     multicore / analogue splitters of the past. In a typical FoH / Monitor configuration, the inputs of a dLive or Avantis                                                                                                 system are sent to a second system where independent trim, processing and mixing is applied.



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Analogue Sound Desks


MFX 20

SoundCraft MFXI20 Hire

Soundcraft MFXI Hire


Soundcraft's MFXi mixers are compact and ideally equipped for live sound applications including fixed installations, houses of worship and portable PA.

8, 12 and 20 mono input MFXi mixers are empowered by built-in 24-bit Lexicon processing, delivering 32 stunning reverb, delay and chorus effects (see opening page). All MFXi mixers include 2 stereo input channels along with a 2-track record output and a 2-track replay input which allows interval music to be easily played from CD, MP3 or other music source.
For increased versatility, each model in the MFXi range has two subgroups as well as a main stereo mix, making control of groups of channels much easier to manage. These are supplemented by 2 Auxiliary busses which can be used for effects sends or to provide a foldback monitor mix for artists.

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MFX12

Soundcraft MFXI 12 Hire

Soundcraft MFXi 12 Hire


Soundcraft's MFXi mixers are compact and ideally equipped for live sound applications including fixed installations, houses of worship and portable PA.

8, 12 and 20 mono input MFXi mixers are empowered by built-in 24-bit Lexicon processing, delivering 32 stunning reverb, delay and chorus effects (see opening page). All MFXi mixers include 2 stereo input channels along with a 2-track record output and a 2-track replay input which allows interval music to be easily played from CD, MP3 or other music source.
For increased versatility, each model in the MFXi range has two subgroups as well as a main stereo mix, making control of groups of channels much easier to manage. These are supplemented by 2 Auxiliary busses which can                                                                                                be used for effects sends or to provide a foldback monitor mix for artists.

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EPM6

                                                                                   Soundcraft EPM6 Hire


  • 2 configurable auxiliary buses
  • XLR-type and ¼” metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 2-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs and mix output
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output


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DJ Mixers


DJM 700

DJM 700 Hire

Pioneer DJM 700 Hire

Delivering breathtaking scope for creativity, consummate clarity and a world first in terms of its Effect Frequency Filter, the DJM-700 is dramatically different.

The 4-channel mixer inherits the sound quality of the DJM-800 and DJM-1000, it also includes some key features including MIDI connectivity, 49 assignables, cutting edge digital effects and a filter on pre-out so you can filter the effects.

Boasting 32-bit DSP [Digital Signal Processing] , 13 beat effects and enhanced roll sampler in what is an extremely familiar format for DJs, this new kit on the block is definitely in a class of its own.

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  • External link opens in new tab or windowinfo@soundchoicehire.co.uk
  • External link opens in new tab or windowBoyles Court Farm , Dark Lane , Brentwood , Essex , Cm145ll

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